tag:blogger.com,1999:blog-48765831602949527572024-03-13T16:44:26.378+00:00Pictures of peopleMorganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.comBlogger27125tag:blogger.com,1999:blog-4876583160294952757.post-58222101842201319622012-03-05T11:09:00.000+00:002012-03-05T11:09:30.772+00:00The Plight of Kosovo Refugees<div class="separator" style="clear: both; text-align: center;"><a href="http://potsdam.yorex.org/sites/potsdam.yorex.org/files/images/Kosovo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="198" src="http://potsdam.yorex.org/sites/potsdam.yorex.org/files/images/Kosovo.jpg" width="320" /></a></div><br />
Picture author: Carol Guzy<br />
Picture date: 1999<br />
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The photo is part of the Washington Post’s Pulitzer Prize-Winning entry (2000) showing gow a Kosovar refugee Agim Shala, 2, is passed through a barded wire fence into the hands of grandparents at a camp run by United Arab Emirates in Kukes, Albania. The member of the Shala family were united after fleeing the conflict in Kosovo.<br />
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The image taken by Carol Guzy depicts a boy being reunited with family members at refugee camp on the border of Albania-Kosovo. Ethnic violence of one group trying to fight for territory they believe is theirs always seems to result in mass refugee issues. Further history of the family remains unknown.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-35261574801830772182012-02-21T14:37:00.000+00:002012-02-21T14:37:21.676+00:00US and Russian presidents earing burgers<div class="separator" style="clear: both; text-align: center;"><a href="http://totallycoolpix.com/wp-content/uploads/2010/08122010_best_of_2010_part_1/2010_part1_61.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="http://totallycoolpix.com/wp-content/uploads/2010/08122010_best_of_2010_part_1/2010_part1_61.jpg" width="320" /></a></div><br />
Picture author: Kevin Lamarque<br />
Picture date: June 24, 2010.<br />
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Russia's President Dmitry Medvedev and U.S. President Barack Obama have burgers for lunch at Ray's Hell Burger restaurant in Arlington, Virginia. Traveling by motorcade, the two presidents ventured to Ray's Hell Burger in Arlington, Va., a popular hamburger joint just outside the nation's capital. During their meal, Obama and Medvedev sat at a table with their interpreters, sharing a conversation through them.<br />
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The picture shows heads of two superpower countries as normal, relaxed men having a meal in a regular fast-food restaurant. Picture lacks the glitter of official meetings between two presidents. It also shows that sometimes you can make key decisions in a spontaneous way. After eating the meal, presidents returned to their route.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-49078782869573465352012-02-14T14:23:00.001+00:002012-02-14T14:23:37.564+00:00A man holding a stick under water<div class="separator" style="clear: both; text-align: center;"><a href="http://blogs.reuters.com/fullfocus/files/2011/11/38POY2011RTR2IQ7J.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="160" src="http://blogs.reuters.com/fullfocus/files/2011/11/38POY2011RTR2IQ7J.jpg" width="400" /></a></div><br />
Picture author: Damir Sagolj<br />
Picture date: February 17, 2011<br />
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The picture depicts a man holding a stick. He installs a pump to extract mud at a primitive gold mine in Panompa near Phichin. A group of Thais use primitive tools and methods to extract gold from self-run mines near the country's biggest and most modern Chatree gold mine. A family working at the mine can get around one gram of gold per day which they sell at the site for about 1000 Thai bahts.<br />
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The author said about the photo: <br />
<blockquote class="tr_bq"><i>This is a classic example of how still images can work better than video. The boy was installing a water pump at this primitive gold mine and he had to dive into muddy water to do it. He held onto a stick in the pond to offer a chance at a perfect composition. Just like in many other cases, the light of the late afternoon played a big part and I chose again a wide open 24 mm lens (maximum shutter speed on minimum ISO) to have the focus only on his hand and the stick making the borders a bit blurred. A second later he came out and the moment of mystery of "what is going on in the scene" was gone.</i></blockquote>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-30617330977787418112012-02-06T10:46:00.000+00:002012-02-06T10:46:14.537+00:00An aid worker films the rotting carcass of a cow<div class="separator" style="clear: both; text-align: center;"><a href="http://totallycoolpix.com/wp-content/uploads/2011/29072011_coolest_pix_week_30/week30_044.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="205" src="http://totallycoolpix.com/wp-content/uploads/2011/29072011_coolest_pix_week_30/week30_044.jpg" width="320" /></a></div><br />
Picture author: Barry Malone<br />
Picture date: July 23, 2011<br />
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An aid worker using an iPad captures an image of a dead cow’s decomposing carcass in Wajir near the Kenya-Somalia border on July 23. The Horn of Africa was plagued by drought, and especially since famine was declared in parts of Somalia, the international aid industry came to many refugee camps and remote hamlets in branded planes and snaking lines of white 4x4s. Analysts say that humanitarian and diplomatic actions are necessary every time people go hungry in Africa. African and foreign governments rarely respond on time to coming catastrophes. Overgeneralised explanations of the causes of famine, and a growing band of aid critics say parts of Africa are doomed to a never-ending cycle of ignored early warnings, media appeals and emergency U.N. feeding - rather than a transition to lasting self-sufficiency.<br />
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African governments know that drought is coming, because it’s a cycle, and still they do not prepare. Foreign charities working there talk about long-term plans to help people become self-sufficient but they have been failing to achieve them for 20 years. It is as much about politics and war and poor economic policies as it is about no rain. The author told this about his feeling regarding to taking the picture:<br />
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<blockquote class="tr_bq"><em>Part of me felt bad for publishing the photo of the man with the iPad. Because he was a good person doing his job. And because we are the same.</em><em><br />
</em></blockquote><blockquote class="tr_bq"><em>He comes with an iPad, I come with a notebook.</em><em><br />
</em></blockquote><blockquote class="tr_bq"><em>Both of us steal dignity and neither of us belong.</em></blockquote>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-81032115555312150672012-01-30T13:46:00.000+00:002012-01-30T13:46:20.530+00:00Young Lebanese drive through devastated neighborhood of South Beirut<div class="separator" style="clear: both; text-align: center;"><a href="http://www.ivarhagendoorn.com/files/blog/spencer-platt-world-press-photo-2006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="214" src="http://www.ivarhagendoorn.com/files/blog/spencer-platt-world-press-photo-2006.jpg" width="320" /></a></div><br />
Picture author: Spencer Platt<br />
Picture date: 15 August 2006<br />
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<div style="text-align: justify;">The disturbing picture shows young Lebanese driving in red convertible, observing the devastated neighbourhood from the comfort of their car. The photo shows contradictions of a country where destruction and the love of fun are unbearably juxtaposed. The background is brown and grey, but the car is sparkling red, and the white T-shirt of the blonde woman in the car are whiter than the shirt of a passer-by behind the car. the driver of the car looks as a pop star or a famous actor.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Many people found this picture controversial, but it is in fact a stunning metaphor, a perfect example of war photography. It shows the act of taking photos in tragic situations: if there is a contradiction, it is in the encounter between art, beauty and tragedy.<br />
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The picture won the World Press Photo contest. World Press Photo jury chair Michele McNally describes the winning image: </div><blockquote class="tr_bq"><em>It's a picture you can keep looking at. It has the complexity and contradiction of real life, amidst chaos. This photograph makes you look beyond the obvious.</em></blockquote>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-9085051975411112322012-01-23T10:09:00.000+00:002012-01-23T10:09:23.392+00:00Man Carring a Shark<div class="separator" style="clear: both; text-align: center;"><a href="http://www.bjp-online.com/IMG/479/162479/12omar-feisal.jpg?1297420104" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="209" src="http://www.bjp-online.com/IMG/479/162479/12omar-feisal.jpg?1297420104" width="320" /></a></div><br />
Picture author: Feisar Omar<br />
Picture date: 23 September 2010<br />
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A man is carrying a shark through the streets of Mogadishu in Somalia. Mogadishu is the capital of the country which had seen some heavy shelling in September. It resulted from the conflict between Islamist militants and pro-government troops. Sharks form a large portion of total Somali fish landings. The fish is not commonly eaten in Somalia, but shark meat is dried and salted for export.<br />
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Mr. Omar stated that he, like many other photographers, had many difficulties with shooting photos. Most common threats are harassment and denial. When gunmen saw that he shot the picture, they took him to interrogation. They stated he was not supposed to take a picture of someone walking around that area. He spent 20 minutes on explaining and convincing them he did nothing wrong, but they wanted to see the pictures. Fortunately, an officer intervened in his defence, and they let him go freely. But this ended peacefully, some journalists are being arrested or tortured in Somalia for taking a picture or an event.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-48643696707009577322012-01-16T15:33:00.000+00:002012-01-16T15:33:56.946+00:00Muhammad Ali versus Sonny Liston [1965]<div class="separator" style="clear: both; text-align: center;"><a href="http://www.abbeville.com/images-catalog/full-size/0789209039.interior01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://www.abbeville.com/images-catalog/full-size/0789209039.interior01.jpg" width="301" /></a></div><br />
Picture author: Neil Leifer,<br />
Picture date: May 25, 1965<br />
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This picture is probably one of the most famous frames in sports. It depicts the moment when Cassius Clay aka Muhammad Ali knocks out Sonny Liston, a former heavy weight champion, in the first minute of the first round, in a rematch. Ali won the previous match one year before, after Sonny resigned to defeat complaining of a shoulder injury).<br />
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Midway through the first round, Liston fell to the canvas; Ali refused to retreat to a neutral corner, standing over his fallen opponent, gesturing and yelling at him, “Get up and fight, sucker!” Mr. Leifer, a reporter who covered many boxing matches, struggled to capture this moment, which has since become one of the iconic images in sports history.<br />
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The blow that ended the match became known as “the phantom punch,” so named because most people at ringside did not see it. Speculations circulated about Liston’s fall, many spectators considered the bout fixed, even the FBI investigated the case. Some say while preparing for the fight, Liston was visited by Black Muslims who threatened to kill his daughter Eleanor if he should win the rematch, others say Liston lay down for money.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-19776743261141216722012-01-13T10:20:00.000+00:002012-01-13T10:20:00.271+00:00US Soldiers Defend<div class="separator" style="clear: both; text-align: center;"><a href="http://denverpost.slideshowpro.com/albums/001/496/album-75450/cache/guttenfelder33.sJPG_950_2000_0_75_0_50_50.sJPG?1326432914" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="237" src="http://denverpost.slideshowpro.com/albums/001/496/album-75450/cache/guttenfelder33.sJPG_950_2000_0_75_0_50_50.sJPG?1326432914" width="320" /></a></div><br />
Picture author: David Guttenfelder<br />
Picture date: May 11, 2009<br />
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Photographer David Guttenfelder captured three U.S. soldiers responding to Taliban fire outside a bunker in the Korengal Valley of Afghanistan in May 2009. Soldiers from the U.S. Army First Battalion, 26th Infantry take defensive positions at firebase Restrepo after receiving fire from Taliban positions. <br />
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Spc. Zachary Boyd of Fort Worth, Texas, was wearing "I love NY" boxer shorts after rushing from his sleeping quarters to join his fellow platoon members. From far right is Spc. Cecil Montgomery of Many, La. and Jordan Custer of Spokan, Wash, center. Defense Secretary, Robert Gates, said that American soldiers have more than their military might and training on their side in the war in Afghanistan.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-22290091050682324252012-01-02T12:11:00.000+00:002012-01-02T12:11:46.372+00:00The Situation Room<div class="separator" style="clear: both; text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/commons/a/ac/Obama_and_Biden_await_updates_on_bin_Laden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://upload.wikimedia.org/wikipedia/commons/a/ac/Obama_and_Biden_await_updates_on_bin_Laden.jpg" width="320" /></a></div><br />
Picture author: Pete Souza<br />
Picture captured: 4:06 PM on May 1, 2011 in the White House Situation Room.<br />
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This photo was taken during Operation Neptune Spear which lead to the killing Al-Qaeda's leader - Osama bin Laden. Picture depicts 13 people who are following operations of the US Army by online transmission. Those are most powerful people in the White House with the US president Obama and vice-president Biden. This picture received an instant recognition, possibly because there were not any pictures of dead Osama.<br />
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Analysts of the picture also tend to emphasise the growing importance of women in the highest level of authorities. There are 2 women present on the photo. It also shows a change in Obama's presidential leadership style. President wears more casual clothes than usual, he is not in the centre of the room, and does not sit on the highest seat. He shows himself more as a collaborator than a ruler, which is different than previous presidents liked to be showed.<br />
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The presence of women on the photo was also striking to the Jewish newspaper Der Tzitung which removed them from the photo. They stated that ultra orthodox Jewish laws forbid them to show 'sexually suggestive images’. The newspaper apologised for their attempt to alter history later on. They said they removed women from the photo of modesty reasons, not to degrade them.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-70821933264610684272011-12-19T09:42:00.002+00:002011-12-19T09:42:55.983+00:00Coronation of King George VI<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/04/imageserver3.jpg?w=700" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://iconicphotos.files.wordpress.com/2009/04/imageserver3.jpg?w=700" width="213" /></a></div><br />
Picture author: Henri Cartier-Bresson<br />
Picture date: 12th May 1937<br />
Published in: French <i>Regard</i> weekly magazine<br />
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<div style="text-align: justify;">Mr. Cartier-Bresson took this picture on Trafalgar Square on the coronation date of King George VI. Year 1936 was difficult for British nation. King George V died after long reign, and King Edward VIII abdicated after a year of reign to marry American socialite. King George VI took over the throne in times when people were not respectful towards monarchy.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Regard</i> magazine was not happy that Henri Cartier-Bresson covered the coronation day, but did not shoot even one picture of the king or the carriage. Photographer took the picture of the crowd waiting to see the coronation, and the sleeping man who was waiting overnight and fell asleep. The man and photographer are missing coronation process, but the interests of the person behind the camera are to show the crowd who is divided, but united in the same moment. He portrayed historic moment in faces of people who saw how history is being created. He portrayed their faces, cheering and dancing. His lens covered it all.</div>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-85729527969985405762011-12-12T10:18:00.000+00:002011-12-12T10:18:22.054+00:00Henry Ford and Model T<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/05/ford-henry-ford-model-t.jpg?w=700&h=515" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="http://iconicphotos.files.wordpress.com/2009/05/ford-henry-ford-model-t.jpg?w=700&h=515" width="320" /></a></div><br />
Picture date: 1921<br />
Picture published by: Henry Ford Museum<br />
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The above picture depicts Henry Ford and his ground-breaking car, Model T. It was shot in Buffalo, New York in 1921. In the same year about 1 million Model Ts came out from his assembly lines. Henry Ford was a car entrepreneur of the century who developed the technique of mass production and assembly lines. He was responsible for revolution in automobile and transportation industries.<br />
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Before releasing Model T, Henry Ford was working with 19 prototypes for five years. Those models were named from A to T which was actually the final model. The release of Model T marked the beginning of affordable cars for masses. The original price of Model T was $850 or £180. After including the inflation, the price estimates around $20.000. It was a half or one third of the price of other cars at that time. the price dropped eventually to $300 by 1920s. Mr. Ford decided that due to the success of Model T, the next model will not be Model U, but 'Ford Model A' to begin naming from the start.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-73362507363257649372011-12-05T12:10:00.000+00:002011-12-05T12:10:06.810+00:00The Man and the Mouse<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/05/10925l.jpg?w=700" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://iconicphotos.files.wordpress.com/2009/05/10925l.jpg?w=700" width="253" /></a></div><br />
This picture depicts Walt Disney and the silhouette of Mickey Mouse. Mickey Mouse was created by him and eventually became a symbolic figure of American culture. Mickey Mouse was at first the replacement for Oswald the Lucky Rabbit, but when Disney lost rights to him, he decided to leave Universal Studios and start his own cartoon series. Mickey Mouse was the animation response to Charlie Chaplin, and Disney was very sensitive about his appearance.<br />
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Mickey Mouse debuted in <em>Plane Crazy</em> in May 1928, but received wide recognition six months later when <em>Steamboat Willie</em> was released. It was a parody of Buster Keaton's <em>Steamboat Bill Jr.</em>, but with addition of the sound it became very successful.<br />
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In 1959, Mickey Mouse became a true American symbol when Nikita Khrushchev visited Los Angeles and requested to visit the Disneyland. However, his wish could not be fulfilled because of security reasons.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-30655255961290326402011-11-28T10:32:00.000+00:002011-11-28T10:32:16.896+00:00Abbey Road<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/08/beatles_-_abbey_road.jpg?w=700&h=700" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://iconicphotos.files.wordpress.com/2009/08/beatles_-_abbey_road.jpg?w=700&h=700" width="320" /></a></div><br />
<div style="text-align: justify;">Picture author: Iain Macmillan</div><div style="text-align: justify;">Picture date: 8 August 1969</div><div style="text-align: justify;">Publish date: 26 September 1969</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">"Abbey Road" is a record with probably the most famous cover in history. Especially when you think about all of the tourists and drivers who go there to visit the spot on that street, or even recreate the cover. According to officials, this crossing is a "death trap" for tourists, and there were 22 accidents at the crosswalk since 2000. The crossing was given grade II listed status for its "cultural and historical importance" in December 2010.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Album cover did not include band's name or its title, which was actually an indication of band's fame and status, and become one of the most successful Beatles albums. It was Paul McCartney's idea to make a cover with four ban members outside Abbey Road studios. Iain Macmillan was taking photos while a policeman held the traffic back from the crossing. He had ten minutes to make photos, so he took six pictures, and the cover features fifth one with all band members with legs in perfect "V" formation. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The picture presents all group members crossing the street in single file from left to right. Lennon is leading, Star, McCartney and Harrison follow him. The group is wearing suits designed by Tommy Nutter, but Paul McCartney is barefoot, because he turned up on the shooting day wearing sandals, and he kicked them off after the first two takes. </div>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-58719475347054935682011-11-21T09:52:00.000+00:002011-11-21T09:52:53.938+00:00Vulture Stalking a Child<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/08/kevin-carter-vulture.jpg?w=700&h=466" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://iconicphotos.files.wordpress.com/2009/08/kevin-carter-vulture.jpg?w=700&h=466" width="320" /></a></div><br />
Author: <strong>Kevin Carter</strong><br />
Picture date: <strong>March 1993</strong><br />
Picture published: <strong>March 26, 1993 in <em>New York Times</em></strong><br />
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</em><br />
<div style="text-align: justify;">Mr. Carter took a trip to Southern Sudan in March 1993, where he took this photo. He was preparing to take a photo of a child trying to reach to feeding centre when the vulture landed. He waited for 20 minutes for the vulture to spread wings and took off, but it did not happen. So, he took the photo and chased the vulture away.<em><br />
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</div><div style="text-align: justify;">The photo was bought by <em>New York Times</em> and published on March 26, 2003 and gained a constant notice of hundreds of people calling to the newspaper and asking if the girl was saved. The newspaper made even a special editor's note that child had enough strength to walk away from the vulture, but her fate was unknown. Mr. Carter received much criticism for not helping the girl, even if journalists were told not to touch victims of famine. The <em>St. Petersburg Times</em> in Florida said about him: </div><div style="text-align: justify;"><br />
</div><blockquote class="tr_bq"><em>The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene.</em></blockquote><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The photo won Pulitzer Prize for the photo, a very precious award for a journalist. Even after then, Mr. Carter could not enjoy the prize and confined to a friend he is really sorry for not picking the girl up. He was consumed by the violence he witnessed and haunted by the girl's fate as he did not help her, he committed suicide three months later.</div>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-30261921418815670872011-11-14T09:58:00.000+00:002011-11-14T09:58:56.146+00:00When Putin met Reagan<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2009/12/c47341-10.jpg?w=681&h=450" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="http://iconicphotos.files.wordpress.com/2009/12/c47341-10.jpg?w=681&h=450" width="320" /></a></div><br />
Picture date: May 1988<br />
Picture author: Pete Souza<br />
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The photograph was taken during President's Regan visit in Moscow. He went there for 4th summit with Mikhail Gorbachev. Soviets prepared very warm welcome, buildings near Kremlin were repainted, streets repaved, and plants and trees planted. But the visit did not omit some diplomatic failures.<br />
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When the Reagans took an unscheduled walk and went shopping on one Moscow street, they were crowded by Russian pedestrians. They were suddenly surrounded by Russian secret police, and Mr. Reagan was supposed to say that Russia is still "a police state". On the other hand, the President fell asleep halfway through the performance in Bolshoi Theatre and Secretary Gorbachev had to tap his shoulder to wake him when the curtains were going down.<br />
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The most meaningful incident was revealed only 20 years later. The man with a camera around his neck, standing behind the boy was Russian Prime Minister (former Russian President), Vladimir Putin. During these days he was acting as a KGB agent, and on that day he was pretending to be a tourist. That day, Gorbachev introduced Reagan to a group of tourists who asked him pointed questions about about subjects as human rights in the United States. The photographer, Mr. Souza, asked a Secret Service agent that he cannot believe that regular tourists can ask such pointed questions. The agent replied that those tourists are all KGB families.<br />
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The Kremlin, however, denied that the man on the photograph was Vladimir Putin.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-54163233003913307862011-11-07T12:36:00.000+00:002011-11-07T12:36:35.500+00:00Kozakiewicz’s gesture<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2010/02/fro2508f5_nws_657977.jpg?w=460&h=368" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="http://iconicphotos.files.wordpress.com/2010/02/fro2508f5_nws_657977.jpg?w=460&h=368" width="320" /></a></div><br />
Picture date: July 30, 1980<br />
<br />
This picture was taken on the 1980 Summer Olympics Games in Moscow which were controversial from the beginning. They were boycotted by the USA and several other countries because of the Soviet invasion of Afghanistan. Despite boycott, athletes from these countries participated in Olympics Games under Olympic Flag and Hymn what was criticised and censored by the Soviet television.<br />
<br />
Władysław Kozakiewicz, from whom the gesture's name comes from, made the gesture on July 30, 1980 to Russian spectators in the stadium. The hostile, jeering crowd was rooting for Soviet jumper Konstantin Volkov, even during Kozakiewicz's spectacular performance. Having just secured his gold medal position, Kozakiewicz made the gesture in defiance to the Soviet crowd. To many, it signified Polish resentment of Russia’s control over Eastern Europe; in Poland, the gesture became immediately known as Kozakiewicz’s gesture.<br />
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After the Olympics, the Soviet ambassador to Poland demanded that Kozakiewicz be stripped of his medal over his “insult to the Soviet people”. The official response of the Polish government was that the gesture had been an involuntary muscle spasm caused by his exertion. Kozakiewicz for his part promptly defected to West Germany.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-77924916306411426152011-11-03T14:35:00.000+00:002011-11-03T14:35:53.224+00:00Yeltsin dances<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2010/12/87_1259646407mueb.jpg?w=700&h=517" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="236" src="http://iconicphotos.files.wordpress.com/2010/12/87_1259646407mueb.jpg?w=700&h=517" width="320" /></a></div><br />
Photo author: Alexander Zemlianichenko<br />
Photo date: June 10th, 1996<br />
<br />
Above photograph depicts Boris Yeltsin dancing on a rock concert, during his campaign to re-election, to prove he was in good health. This photo shows the essence of his presidency which was known for wrong moves in wrong times. Mr. Yeltsin was a hero that stood on tank during the failed coup attempt in 1991, but wasted the next decade on wrong decisions and focusing on unimportant things while the Soviet system collapsed. For years the media speculated that Russian President struggled with alcoholism and ill-health, but during the campaign, these questions disappeared as a major issue. Eventually, he won the election for second term, but resigned from the office in 1999.<br />
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This photo won a Pulitzer prize and a World Press Photo award.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-19872592355338579032011-10-24T11:12:00.000+01:002011-10-24T11:12:59.275+01:00The Marlboro Marine<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2011/05/marlboro-marine.jpg?w=500&h=334" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://iconicphotos.files.wordpress.com/2011/05/marlboro-marine.jpg?w=500&h=334" width="320" /></a></div><br />
Author: Luis Sinco<br />
Picture date: November 10, 2004<br />
<br />
The picture shows a marine smoking a cigarette after the siege of Fallouja, and contemplating a sunrise. He is covered in a mix of blood, camouflage paint, and dirt. At the first meeting with Mr. Sinco, marine only said:<br />
<blockquote><em>If you want to write something, tell Marlboro I’m down to four packs, and I’m here in Fallujah till who knows when. Maybe they can send some. And they can bring down the price a bit.</em></blockquote>Photographer was not even sure he wants to send this photo to the newspaper, he thought the editors would prefer more pictures of previous battle and siege. On the following day, he found out that the picture was published on the covers of 150 newspapers around the world. Mr. Sinco described the photograph by saying:<br />
<blockquote><em>His expression caught my eye. To me, it said: terrified, exhausted, and glad just to be alive. I recognized that look because that's how I felt too.</em></blockquote>With time, the photo became a symbol of Iraq war, this hopelessness seen in marine's face was present in hearts of Americans. Photographer found his subject, his name is James Blake Miller who was not as successful as the photo of him. After the war, he started to struggle with post-traumatic stress disorder, separated from his wife and family, and is unable to discuss certain things that happened in Fallujah.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-35852525740110774792011-10-17T09:56:00.000+01:002011-10-17T09:56:44.333+01:00The Walk to Paradise Garden<div class="separator" style="clear: both; text-align: center;"><a href="http://iconicphotos.files.wordpress.com/2011/10/eugene1.jpg?w=700&h=824" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://iconicphotos.files.wordpress.com/2011/10/eugene1.jpg?w=700&h=824" width="271" /></a></div><br />
Author: <span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b>W. Eugene Smith</b></span><br />
<span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Picture date: <b>1946</b></span><br />
<span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Publish date: <b>1955</b>, "The Family of Man" exhibition in Museum of Modern Art</span><br />
<span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><br />
</span><br />
<span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">W. Eugene Smith was well-known war correspondent, famous for his brutal and sincere War World II photographs. His war wounds he gained after mortar strike on Okinawa, cost him two long years of hospitalization and plastic surgery. It was even not sure he would be able to return to photography. </span><br />
<br />
<span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Then one day, he took his two children on a walk to a forest. Pat, older brother, took his sister, Juanita, by hand and lead her to show her something he discovered. Despite his sudden attack of pain, Mr. Smith was able to shot this picture, not perfect and unimportant to the world, but somehow beautiful. He described this moment in these words:</span><br />
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<blockquote><span class="Apple-style-span" style="background-color: white; color: #222222; font-family: "Lucida Grande", "Lucida Sans Unicode", "Helvetica", "Arial", sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><i>While I followed my children into the undergrowth and the group of taller trees – how they were delighted at every little discovery! – and observed them, I suddenly realized that at this moment, in spite of everything, in spite of all the wars and all I had gone through that day, I wanted to sing a sonnet to life and to the courage to go on living it….</i></span></blockquote><br />
Unfortunately, the photo had to wait 9 years to be published. Mr. Smith decided to submit it to Edward Steichen's famous <em>Family of Man</em> exhibition at Museum of Modern Art. Unexpectedly, the photo gained world recognition, became a finalist, and is considered iconic among all family photographs.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-79959006457224067322011-10-10T10:22:00.000+01:002011-10-10T10:22:15.523+01:00Behind the Gare St. Lazare<div class="separator" style="clear: both; text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/en/d/d6/Photo_cartierbresson_europe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/d/d6/Photo_cartierbresson_europe.jpg" width="219" /></a></div><br />
Author: Henri Cartier-Bresson<br />
Picture date: 1932<br />
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This picture depicts one of those fleeting, everyday moments in life. The author, Henri Cartier-Bresson, became famous because of his street art and capturing these moments which are also called the Decisive Moments. The photo is one of his most iconic works, showing a man taking a leap into the water when all his aids to avoid getting wet ended.<br />
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Cartier-Bresson said his picture was not fully intended and planned:<br />
<blockquote><em>There was a plank fence around some repairs behind the Gare St. Lazare and I was peeking through the space with my camera at my eye. This is what I saw. The space between the planks was not entirely wide enough for my lens, which is the reason the picture is cut off on the left. </em></blockquote><br />
Once again, the author found himself in the right place and in the right moment. This image proves that everyday moments may not be meaningless when to think of them. And also, we can find beauty in all those fleeting moments.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-42537569372550383042011-10-03T12:06:00.000+01:002011-10-03T12:06:13.195+01:00Raising a flag over the Reichstag<div class="separator" style="clear: both; text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/en/1/14/Reichstag_flag_original.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="http://upload.wikimedia.org/wikipedia/en/1/14/Reichstag_flag_original.jpg" width="320" /></a></div><span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"> </span><br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></span><br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Author:</span><span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><b> Yevgeny Khaldei</b></span><br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Picture date: </span><span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">2 May 1945</span><br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Publish date: 15 May 1945, <em>Ogonyok</em></span><span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"> magazine.</span><br />
<br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">This photograph depicts a historic moment where Soviet soldiers are raising the flag of the Soviet Union on the German Reichstag building. The photograph became instantly popular, and became on of the most symbolic photographs of the World War II. It gained very wide recognition and was printed by newspapers all over the world. The German Reichstag building was erected in 1894 and it was magnificent for its time. Even though it was not used for military purposes after the fire since </span> <span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">1933</span><span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">, it was still a symbol of the enemy of the Red Army.</span><br />
<br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Photograph was taken on the last day of the Battle of Berlin, the final major offensive of the European theatre of World War II. Many photographers took photos of flags on the roof, but it was Khaldei's image that became the most successful and recognized. Identity of the photographer was not unknown until the fall of the Soviet Union. The photo itself is just a reconstruction of the actual moment that happened earlier but had been missed by the camera.</span><br />
<span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></span>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-47844515774970423912011-09-26T10:15:00.000+01:002011-09-26T10:15:35.866+01:00The Power of One<div class="separator" style="clear: both; text-align: center;"><a href="http://www.ap.org/pages/about/pulitzer/baliltyphoto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="http://www.ap.org/pages/about/pulitzer/baliltyphoto.jpg" width="320" /></a></div><br />
Author: Oded Bality<br />
Picture date: February 1, 2006<br />
<br />
<em>A lone Jewish settler challenges Israeli security officers during clashes that erupted as authorities cleared the West Bank settlement of Amona, east of the Palestinian town of Ramallah. Thousands of troops in riot gear and on horseback clashed with hundreds of stone-throwing Jewish settlers holed up in this illegal West Bank outpost after Israel’s Supreme Court cleared the way of demolition of nine homes at the site </em>- from the Pulitzer Prizes website.<br />
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This fascinating photo shows the essence of struggle and sets two ideologies against each other. A woman which had nothing to lose fights against ruthless government wanting to destroy her home. She is willing to defend her cause with all her powers, and the picture shows she is doing it successfully.<br />
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The picture won the Pulitzer Award in <em>Breaking news photography</em> category in 2007. Author's interpretation of the photo is the modern version of David against Goliath. Even though he did not meet her, he adores this woman for her courage and bravery.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-45230961885491797762011-09-19T09:58:00.000+01:002011-09-19T09:58:44.859+01:00Tank Man<div class="separator" style="clear: both; text-align: center;"><a href="http://www.probell.com/photo_exhibit/tank-man.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="214" src="http://www.probell.com/photo_exhibit/tank-man.jpg" width="320" /></a></div><br />
Author: Jeff Widener<br />
Picture date: June 5, 1989<br />
<br />
Picture depicts an unknown man who stopped a column of armoured tanks on the morning when Chinese military forces removed protesters from the Tiananmen Square on June 5, 1989. This man achieved widespread recognition in newspapers around the world and is also known as <em>Unknown Rebel</em>.<br />
<br />
This photograph received worldwide recognition because it showed that an unarmed man with only shopping bags was able to stop armoured tanks. Video footage of the incident shows that the man jumped on the first tank and had a short conversation with tank driver. The picture brought hope that there may be a way for a non-violent in communist China.<br />
<br />
On the day of the incident, four different photographers shot the scene, but Mr. Widener's photo was most used by newspapers. His version is tighter that other photographs and was made from a lower floor of the hotel, closest to the ground, and captured a face-to-face meeting between the lone man and the driver of the first tank. It was shot with Nikon FE2 camera by Mr. Widener who was injured and suffered from flu.<br />
<br />
To this day, the identity and fate of the man in the picture remain unclear. A riveting documentary, <em>The Tank Man</em>, by PBS Frontline in 2006 explored his fate. Yet still no one knows for certain who he is or what exactly happened to him. The image is largely blocked on the Internet in China. Despite its iconic status and historical significance elsewhere, most young people there do not recognize the photograph.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-9381071663933753432011-09-12T09:53:00.000+01:002011-09-12T09:53:45.783+01:00Raising the Flag at Ground Zero<div class="separator" style="clear: both; text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/en/1/17/Ground_Zero_Spirit.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://upload.wikimedia.org/wikipedia/en/1/17/Ground_Zero_Spirit.jpg" width="213" /></a></div><br />
Author: Thomas E. Franklin<br />
Picture date: September 11, 2001<br />
Published: <em>The Record</em> front page, September 12, 2001<br />
<br />
<div align="justify">The picture was taken hours after terrifying terrorist attack on the World Trade Center in New York City. It depicts firefighters raising the American flag at ground zero of collapsed skyscrapers. <em>The Record</em>'s original name for the photograph is <strong>Ground Zero Spirit</strong>. Photo appeared also on the covers of several other newspapers around the world.</div><div align="justify"><br />
</div><div align="justify">Photograph was shot shortly after 5 PM with a telephoto lens. Mr. Franklin came to Ground Zero by the Hudson River around noon after the towers collapsed. Firefighters were raising the American flag coming from a yacht named <em>Star of America </em>which was docked on the Hudson River.</div><div align="justify"><br />
</div><div align="justify">The picture became the symbol of the American solidarity after terrorist attack on New York and Washington. It shows hope that the USA will reborn and become as united and stronger than ever. The United States Postal Service featured this photo on their "Heroes" stamp. Additionally, profits from stamps, which estimated over ten million dollars, were transferred to families and rescue workers of 9/11.</div>Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0tag:blogger.com,1999:blog-4876583160294952757.post-42768909739926888992011-09-05T10:19:00.000+01:002011-09-05T10:19:07.688+01:00Lunchtime atop a Skyscraper<div class="separator" style="clear: both; text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/en/1/13/Lunch-atop-a-skyscraper-c1932.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="254" src="http://upload.wikimedia.org/wikipedia/en/1/13/Lunch-atop-a-skyscraper-c1932.jpg" width="320" /> </a> </div><br />
Author: Charles C. Ebbets<br />
Picture date: September 29, 1932<br />
Published: <em>New York Herald Tribune</em>, October 2, 1932<br />
<br />
This famous picture depicts eleven workers eating lunch and seating on a girder above New York City streets. Photo is very spectacular as men are sitting without any safety protections very high above city landscape. This dizzying picture shows courage of men working on construction sites.<br />
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Photograph was taken on 69th floor of the RCA building, which was later renamed as GE Building, during its last months of construction. Author of the picture was unknown for many decades until 2003 after months of investigation. Identities of most workers were provided by their descendants or relatives. Mr. Ebbets took a similar picture named <em>Men Asleep on a Girder</em>.<br />
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Picture became one of the most famous posters of the world and shows the spirit of risk-taking New York builders and their bravery.Morganhttp://www.blogger.com/profile/14627145220667152098noreply@blogger.com0